DAFNE (Digital Anastylosis of Frescoes challeNgE)
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Anastylosis DB1 — originally used as training set during the challenge

62 frescoes (57 full size, 5 details) — listed by year/author

Fifth century B.C.

• Tarquinia, Etruscan art, Three musicians, fresco, 473 B.C., (Tomba dei Leopardi, Tarquinia, Italy) — source file: (1280x853 pixels, 72 pixels/inch) — from 107 to 434 fragments — 79 MB

1300

• Giotto, Adoration of the Magi, 1303-1305, fresco, 200x185 cm (Cappella degli Scrovegni, Padua, Italy) — source file: (1000x1008 pixels – resolution 300 pixels/inch) — from 108 to 415 fragments — 59 MB
• Giotto, Entry into Jerusalem, 1303-1305, fresco, 200x185 cm (Cappella degli Scrovegni, Padua, Italy) — source file: (1000x941 pixels – resolution 72 pixels/inch) — from 122 to 414 fragments — 60 MB
• Giotto, Kiss of Judas, 1303-1305, fresco, 200x185 cm (Cappella degli Scrovegni, Padua, Italy) — source file: (3371×3287 pixels, 72 pixels/inch) — from 735 to 1825 fragments — 678 MB
• Giotto, Lamentation of the Death of Christ, 1303-1305 circa, fresco, 200x185 cm (Cappella degli Scrovegni, Padua, Italy) — source file: (1000x925 pixels – resolution 300 pixels/inch) — from 120 to 411 fragments — 68 MB
• Giotto, Massacre of the Innocents, 1304-1305, fresco, 200x185 cm (Cappella degli Scrovegni, Padua, Italy) — source file: (2024x2047 pixels – resolution 96 pixels/inch) — from 468 to 1561 fragments — 189 MB
• Giotto, Raising of Lazarus, 1304-1306, fresco, 200x185 cm (Cappella degli Scrovegni, Padua, Italy) — source file: (1000×935 pixels, 72 pixels/inch) — from 153 to 393 fragments — 56 MB
• Giotto, Ascension of St. John, 1318-1322 (Cappella Peruzzi, Basilica di Santa Croce, Florence, Italy) — source file: (2560x1622 pixels, 72 pixels/inch) — from 570 to 1297 fragments — 246 MB
• Barna da Siena, The Annunciation, 1340, fresco, (Collegiate Church of San Gimignano, Italy) — source file: (8815x5721 pixels, 600 pixels/inch) — from 1951 to 2642 fragments — 2.2 GB
• Barna da Siena, The Annunciation — detail, 1340, fresco, (Collegiate Church of San Gimignano, Italy) — source file: (3910x2692 pixels, 600 pixels/inch) — from 694 to 894 fragments — 599 MB
• Andrea di Bonaiuto, Allegory of the Active and Triumphant Church and the Dominican order, 1365-1367, fresco, 348,5x570 cm (The Spanish Chapel, Santa Maria Novella, Florence, Italy) — source file: (4851x3816 pixels, 1200 pixels/inch) — from 1869 to 2484 fragments — 1.4 GB

1400

• Giovanni da Modena, The Appearance of the Star, 1412, fresco, (Basilica di San Petronio, Bologna, Italy) — source file: (1195x936 pixels, 300 pixels/inch) — from 141 to 220 fragments — 84 MB
• Giovanni da Modena, The Return of the Magi, 1412, fresco, (Basilica di San Petronio, Bologna, Italy) — source file: (1107x770 pixels, 300 pixels/inch) — from 131 to 199 fragments — 59 MB
• Giovanni da Modena, Journey of the Magi, 1412-1415, fresco (Cappella Bolognini, Basilica di San Petronio, Bologna, Italy) — source file: (1300x949 pixels, 300 pixels/inch) — from 152 to 408 fragments — 81 MB
• Masolino da Panicale, The healing of the cripple and Raising of Tabitha, 1424-1425, fresco, 260x599 cm (Cappella Brancacci, Chiesa di Santa Maria del Carmine, Florence, Italy) — source file: (2112x1080 pixels, 300 pixels/inch) — from 170 to 833 fragments — 137 MB
• Masaccio, The Tribute Money, 1425, fresco, 255x598 cm (Basilica di Santa Maria del Carmine, Cappella Brancacci, Florence, Italy) — source file: (2200x1015 pixels – resolution 300pixels/inch) — from 206 to 818 fragments — 144 MB
• Masaccio, St. Peter Healing the Sick with His Shadow, 1425-1427, fresco, 230x162 cm (Basilica di Santa Maria del Carmine, Cappella Brancacci, Florence, Italy) — source file: (810x1200 pixels – resolution 72pixels/inch) — from 101 to 418 fragments — 68 MB
• Masaccio, Baptism of the neophytes, 1426-1427, fresco, 230x599 cm (Basilica di Santa Maria del Carmine, Cappella Brancacci, Florence, Italy) — source file: (1915x2427 pixels – resolution 300 pixels/inch) — from 362 to 634 fragments — 247 MB
• Masaccio, Raising of the Son of Teophilus and St. Peter Enthroned,1426-1427, fresco, 230x599 cm (Basilica di Santa Maria del Carmine, Cappella Brancacci, Florence, Italy) — source file: (2111x864 pixels – 1resolution 300pixels/inch) — from 245 to 420 fragments — 115 MB
• Pisanello, Saint George and the Princess, 1433-1438, fresco, 223x430 cm (Chiesa di Santa Anastasia, Verona, Italy) — source file: (1280x924 pixels – resolution 72pixels/inch) — from 132 to 590 fragments — 78 MB
• Fra Angelico, Mocking of Christ, 1438-1440, fresco, 195x159 cm (Convento di San Marco, Florence, Italy) — source file: (2536x3172 pixels – resolution 96 pixels/inch) — from 592 to 2115 fragments — 364 MB
• Fra Angelico, Presentation of Jesus at the Temple, 1438-1440, fresco, 151x131 cm (Museo nazionale di San Marco, Florence) — source file: (2536x2962 pixels – resolution 96 pixels/inch) — from 326 to 2196 fragments — 387 MB
• Fra Angelico, Transfiguration, 1438-1440, fresco, 189x159 cm (Museo nazionale di San Marco, Florence, Italy) — source file: (2536x3013 pixels – resolution 96 pixels/inch) — from 655 to 2145 fragments — 433 MB
• Fra Angelico, The Annunciation, 1438-1447, fresco, 230x321 cm (Convento di San Marco, Florence, Italy) — source file: (2536x3024 pixels – resolution 96 pixels/inch) — from 331 to 1802 fragments — 347 MB
• Piero della Francesca, Resurrection, 1450-1463, fresco, 225x200 cm (Museo Civico, Sansepolcro, Italy) — source file: (730x826 pixels – resolution 300 pixels/inch) — from 102 to 163 fragments — 44 MB
• Piero della Francesca, Exaltation of the Cross, 1458-1466, fresco, 390x747 cm (Basilica di San Francesco, Arezzo, Italy) — source file: (1239x900 pixels – resolution 300pixels/inch) — from 121 to 539 fragments — 70 MB
• Piero della Francesca, Exaltation of the Cross — detail, 1458-1466, fresco, (Basilica di San Francesco, Arezzo, Italy) — source file: (1000x1170pixels – resolution 300 pixels/inch) — from 146 to 558 fragments — 75 MB
• Benozzo Gozzoli, Procession of the Youngest King, 1459-1460, fresco, 405x516 cm (Cappella dei Magi, Palazzo Medici Riccardi, Florence, Italy) — source file: (1469x1144 pixels, 300 pixels/inch) — from 102 to 730 fragments — 119 MB
• Andrea Mantegna, The Martyrdom and transporting the body of Saint Christopher,1454-1457, fresco, (Cappella Ovetari, Chiesa degli Eremitani, Padova) — source file: (1696x1700 pixels – resolution 72 pixels/inch) — from 358 to 1163 fragments — 192 MB
• Andrea Mantegna, Camera picta, 1465-1474, fresco, 300x800 cm (Castello di San Giorgio, Mantova, Italy) — source file: (1700x1174 pixels – resolution 72 pixels/inch) — from 197 to 642 fragments — 158 MB
• Sandro Botticcelli, Punishment of the Rebels, 1480-82, fresco, (Cappellone degli Spagnoli, Basilica di Santa Maria Novella, Florence, Italy) — source file: (2048x1269 pixels, 96 pixels/inch) — from 302 to 1200 fragments — 118 MB
• Filippo Lippi, Disputation in the Synagogue, fresco, 1452-1465, (Prato Cathedral, Italy) — source file: (1271x770pixels, 300 pixels/inch) — from 154 to 363 fragments — 62 MB
• Filippino Lippi, Disputation with Simon Magus and Crucifixion of St. Peter, 1482-1485, fresco, 230x598 cm (Cappella Brancacci, Basilica di Santa Maria del Carmine, Florence, Italy) — source file: (2123x821 pixels, 300pixels/inch) — from 391 to 789 fragments — 116 MB
• Filippino Lippi e Masaccio, Saint Peter sitting in his chair, 1424-1426 e 1489-1491, (Cappella Brancacci, Chiesa di Santa Maria del Carmine, Florence, Italy) — source file: (2138x825 pixels, 300 pixels/inch) — from 245 to 760 fragments — 107 MB
• Pietro Perugino, Christ Handing the Keys to Saint Peter, 1481, fresco, 335x550 cm (Cappella Sistina, Vatican City) — source file: (2347x1438 pixels, 600 pixels/inch) — from 368 to 1212 fragments — 166 MB
• Pietro Perugino, Baptism of Christ, 1482 circa, fresco, 335x540 cm (Sistine Chapel, Rome, Italy) — source file: (2352x1494 pixels, 600 pixels/inch) — from 390 to 1234 fragments — 207 MB
• Domenico Ghirlandaio, Slaughter of the Innocents, 1485-1490, fresco, (Cappella Tornabuoni, Santa Maria Novella, Florence, Italy) — source file: (2621x1741 pixels, 300 pixels/inch) — from 323 to 1972 fragments — 298 MB
• Leonardo da Vinci, The last supper, 1495-1498, 460x880 cm, (Santa Maria delle Grazie, Milan, Italy) — source file: (5193x2926 pixels, 72 pixels/inch) — from 511 to 875 fragments — 1.1 GB
• Luca Signorelli, The Conversion of Saint Paul, 1477-1480, fresco, (Sagrestia di San Giovanni, Santuario della Santa Casa, Loreto, Italy) — source file: (1451x1224 pixels, 300 pixels/inch) — from 120 to 622 fragments — 117 MB
• Luca Signorelli, Benedict Drives the Devil out of a Stone — detail, 1497-98, (Abbazia di Monte Oliveto Maggiore, Asciano, Italy) — source file: (3872×2592 pixels, 240 pixels/inch) — from 542 to 831 fragments — 571 MB
• Luca Signorelli, The Damned Cast into Hell, fresco, 1499-1502, (Cappella di San Brizio, Duomo di Orvieto, Italy) — source file: (1010x700 pixels, 300 pixels/inch) — from 134 to 338 fragments — 46 MB

1500

• Michelangelo, The Deluge — detail, 1508-1509, fresco, 280x570 cm (Sistine Chapel, Vatican City) — source file: (4459x6751 pixels, 1200 pixels/inch) — from 1242 to 1732 fragments — 2.3 GB
• Michelangelo, Ezekiel, 1510, fresco, 355x380 cm (Sistine Chapel, Vatican City) — source file: (2558x3000 pixels, 400 pixels/inch) — from 687 to 1077 fragments — 496 MB
• Michelangelo, The creation of Adam, 1512 circa, fresco, 280x570 cm (Sistine Chapel’s ceiling, Vatican City) — source file: (1707x775 pixels – resolution 300 pixels/inch) — from 129 to 566 fragments — 89 MB
• Michelangelo, The Last Judgement, 1536-1541, fresco, 13.7 m x 12 m (Sistine Chapel, Vatican City) — source file: (3991x4395 pixels, 72 pixels/inch) — from 1782 to 2417 fragments — 1.1 GB
• Tiziano, The Healing of the Wrathful Son, 1511, fresco, 340 x 207 cm (Scuola del Santo, Padua, Italy) — source file: (1000x1275 pixels, 300 pixels/inch) — from 167 to 579 fragments — 74 MB
• Raffaello Sanzio, The School of Athens, 1509-1511, fresco, 500x770 cm (Apostolic Palace, Vatican City) — source file: (1280x993 pixels – resolution 72 pixels/inch) — from 218 to 542 fragments — 88 MB
• Raffaello Sanzio, The Triumph of Galatea, 1512, fresco, (Villa Farnesina, Rome, Italy) — source file: (2024x2657 pixels, 96 pixels/inch) — from 468 to 778 fragments — 307 MB
• Bernardino Lanzani, Saint Anthony protects the city of Pavia during the siege of the French in 1522, 1522-1524, fresco, (Chiesa di San Teodoro, Pavia, Italy) — source file: (2440x2524 pixels, 300 pixels/inch) — from 399 to 1742 fragments — 464 MB
• Giorgio Vasari, Paul III Farnese Directing the Continuance of St Peter’s, 1546, fresco, (Palazzo della Cancellaria, Rome, Italy) — source file: (1006x759 pixels, resolution 300 pixels/inch) — from 115 to 398 fragments — 49 MB
• Giorgio Vasari, Birth of Venus, 1555-1557, fresco, 691x285 cm (Palazzo Vecchio Museum, Florence, Italy) — source file: (4769x1881 pixels, resolution 96 pixels/inch) — from 695 to 1257 fragments — 528 MB
• Giorgio Vasari, Capture of Porto Ercole, 1568-1570, fresco, 610x760 cm (Palazzo Vecchio Museum, Florence, Italy) — source file: (1890x2324 pixels, resolution 96 pixels/inch) — from 397 to 1291 fragments — 270 MB
• Paolo Veronese, Figures behind the Parapet, 1560-1561, fresco, (Villa Barbaro, Maser, Italy) — source file: (1100x939 pixels, 300 pixels/inch) — from 128 to 209 fragments — 68 MB
• Paolo Veronese, Landscape, 1560-61, fresco, (Villa Barbaro, Maser, Italy) — source file: (754x1500 pixels, 300 pixels/inch) — from 149 to 213 fragments — 72 MB
• Luca Longhi, Wedding at Cana, 1580, fresco, (Classense Library, Ravenna, Italy) — source file: (2351x1301 pixels, 200 pixels/inch) — from 350 to 534 fragments — 170 MB

1600

• Cesare Nebbia, Pilgrimage of Charles to Turin to worship the Shroud and meeting with the dukes of Savoy, 1603-1604, fresco (Salone degli affreschi, Collegio Borromeo, Pavia, Italy) — source file: (959x1128 pixels, 400 pixels/inch) — from 118 to 526 fragments — 73 MB
• Cesare Nebbia, Relocation of the Holy Bodies, 1603-1604, fresco (Salone degli affreschi, Collegio Borromeo, Pavia, Italy) — source file: (4933x3856 pixels – 600 pixels/inch) — from 514 to 999 fragments — 1 GB
• Cesare Nebbia, The Plague of Milan, 1604, fresco (Salone degli affreschi, Collegio Borromeo, Pavia, Italy) — source file: (1378x1018 pixels, 300 pixels/inch) — from 128 to 604 fragments — 110 MB
• Federico Zuccari, The Cardinal's hat conferred on Saint Charles Borromeo, 1603-1604, fresco (Salone degli affreschi, Collegio Borromeo, Pavia, Italy) — source file: (3440x2459 pixels, 900 pixels/inch) — from 667 to 1073 fragments — 670 MB

1700

• Giovanni Battista Tiepolo, The Institution of the Rosary, 1737-1739, fresco, 1200x450 cm (Santa Maria del Rosario, Venice, Italy) — source file: (850x1231 pixels, 300 pixels/inch) — from 221 to 420 fragments — 66 MB
• Giovanni Battista Tiepolo, The Institution of the Rosary — detail, 1737-1739, fresco (Santa Maria del Rosario, Venice, Italy) — source file: (940x1300 pixels, 300 pixels/inch) — from 149 to 211 fragments — 77 MB
• Giovanni Battista Tiepolo, The Banquet of Cleopatra, 1746-1747, fresco, 650 300 cm (Palazzo Labia, Venice, Italy) — source file: (802x1134 pixels, 72 pixels/inch) — from 144 to 380 fragments — 55 MB

Anastylosis DB2 — originally used as test set during the challenge

Listed in order of complexity (from low to high number of fragments)

• Domenichino, The Virgin and the Unicorn, 1602, fresco (Palazzo Farnese, Rome, Italy) — source file: (2400x1983 pixels, 300 pixels/inch) — 600 fragments, including spurious — SOLUTION
  
• Federico Zuccari, The Cardinal's hat conferred on Saint Charles Borromeo, 1603-1604, fresco (Salone degli affreschi, Collegio Borromeo, Pavia, Italy) — source file: (3440x2459 pixels, 900 pixels/inch) — 1188 fragments, including spurious — SOLUTION
  
• Andrea di Bonaiuto, Allegory of the Active and Triumphant Church and the Dominican order, 1365-1367, fresco, 348,5x570 cm (The Spanish Chapel, Santa Maria Novella, Florence, Italy) — source file: (4851x3816 pixels, 1200 pixels/inch) — 2045 fragments, including spurious — SOLUTION
  

Copyright

All the data in the dataset are provided for non-profit purposes and their use is restricted to research, education and non-commercial purposes. Images of frescoes by Cesare Nebbia and Andrea Zuccari were kindly provided by the Collegio Borromeo, Pavia, Italy; all the other images of frescoes are from Wikipedia, labeled for public domain (as verified on February 27, 2019). Despite every effort to contact copyright-holders, the organizers should be contacted as regards any omissions or errors.